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The Grand Tour was the traditional trip of Europe undertaken by mainly upper class European young men of sufficient means and rank or those of more humble origin who could find a sponsoras well forum casino marketing young women if they were also of sufficient means, and accompanied by a chaperonsuch as other family members, when they had come grand casino paris age about the age of 21 years old [ citation needed ].

The custom flourished grand casino paris aboutuntil the advent of large-scale rail transport in the s, and was associated with a standard itinerary. It served as an educational rite of passage. Though primarily associated with the British nobility and wealthy landed gentrysimilar trips were made by wealthy young men of Protestant Northern European nations, and from the second half of the 18th century, by some South and North Americans.

The tradition declined with the lapse of neo-classical enthusiasm and after rail and steamship travel made the journeys much easier when Thomas Cook made the "Cook's Tour" of early mass tourism a byword. The New York Times in described the Grand Tour in this way:. Link hundred years ago, wealthy young Englishmen casino game taking a post- Oxbridge trek through France and Italy grand casino paris search of art, culture and the roots of Western civilization.

With nearly unlimited funds, aristocratic connections and months or years to roam, they commissioned paintings grand casino paris, perfected their language skills and mingled with the upper crust of the Continent.

The primary value of the Grand Tour, it was believed, lay in the exposure both to the cultural legacy of classical antiquity and the Renaissanceand to the aristocratic and fashionably polite society of the European continent.

Grand casino paris addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from several months to several years. It was commonly undertaken in the company of a Ciceronea knowledgeable guide or tutor. The Grand Tour had more than superficial grand casino paris importance; as E.

Thompson stated, "ruling-class control in the 18th century was located primarily grand casino paris a cultural hegemonyand only secondarily in an expression of economic or physical military power. From its grand casino paris origins and the permutations of hammond tournaments horseshoe poker casino and bet alternative travel to the age of tourism and globalization, the Grand Tour still influences the destinations tourists choose and shapes the ideas of culture and sophistication that surround the act of travel.

In essence, the Grand Tour was neither a scholar's pilgrimage nor a religious one, [4] though a pleasurable stay in Venice and a cautious residence in Rome were essential. Catholic Grand Tourists followed the same routes as Protestant Whigs. Since the 17th century, a tour to such places was also considered essential for budding young artists to understand proper painting and sculpture techniques, though the trappings of the Grand Tour— valets and coachmen, perhaps a cook, certainly a " bear-leader " or scholarly guide— were beyond their reach.

The advent of popular guides, such as grand casino paris Richardsons', did much to popularise such trips, and following the artists themselves, the elite considered travel to grand casino paris centres as necessary rites of passage. For gentlemen, some works of art were essential to demonstrate the breadth and polish they had received grand casino paris their tour: Pompeo Batoni made a career of grand casino paris the English milord posed with graceful ease among Roman antiquities.

Many continued on to Naples, where they viewed Herculaneum and Pompeiibut few ventured far into southern Italy or Maltaand fewer still to Greecestill under Turkish grand casino paris. Rome for many centuries had been the goal of pilgrims, especially during Jubilee when they visited grand casino paris Seven Pilgrim Churches of Rome. In Britain, Thomas Coryat 's grand casino paris book Coryat's Cruditiespublished during the Twelve Years' Grand casino pariswas an early influence on the Grand Tour but it was the far more extensive tour through Italy as far as Naples undertaken by the 'Collector' Earl of Arundelwith his wife and children in —14 that established the most significant precedent.

This is partly because he asked Inigo Jonesnot yet established as an architect but already known as a 'great traveller' and masque source, to act as his cicerone guide. According to the Oxford English Dictionarythe grand casino paris recorded use of the term perhaps its introduction to English was by Richard Lassels c. The idea of travelling for the sake of curiosity and learning was a grand casino paris idea in the 17th century.

This web page John Locke 's Essay Concerning Human Understandingit was argued, and widely accepted, that knowledge comes entirely from the external senses, that what one knows comes from the physical stimuli to which one has been exposed. Thus, one could "use up" the environment, taking from it here it offers, requiring a change of place.

Travel, therefore, was necessary for one to develop the mind and expand knowledge of the world. As a young man at the outset of his account of a repeat Grand Tour, the historian Edward Gibbon remarked that "According to the grand casino paris of custom, and perhaps of reason, foreign travel completes the education of an English gentleman.

On the eve of the Romantic era he played a significant part in introducing, William Beckford wrote a vivid account of his Grand Tour that made Gibbon's unadventurous Italian tour look distinctly conventional. The typical 18th-century sentiment was that of the studious observer travelling through foreign lands reporting his findings on human nature for those unfortunate enough to have stayed home.

Recounting one's observations to society at large to increase its welfare was considered an obligation; the Grand Tour flourished in this mindset. The Grand Tour offered a liberal educationand the opportunity to acquire things otherwise unavailable at home, lending an air of accomplishment and grand casino paris to the traveller.

Grand Tourists would return with crates full of books, works of art, scientific instruments, and cultural artifacts — from snuff boxes and paperweights, to altars, grand casino paris, and statuary — to be displayed in libraries, cabinetsgardens, drawing roomsand galleries built for that purpose. The trappings of the Grand Tour, especially portraits of the traveller painted in iconic continental settings, became the obligatory emblems of worldliness, gravitas and influence.

Artists who especially thrived on Grand Tourists included Carlo Marattiwho was click to see more patronized by John Evelyn as early as[8] Pompeo Batoni portraitistand the vedutisti such as CanalettoPannini and Guardi.

The less well-off could return with an album of Piranesi etchings. The "perhaps" in Gibbon's opening remark cast an ironic shadow over his resounding statement. Also worth noticing is that the Grand Tour not only inspired stereotypes among the countries themselves but also led to a dynamic between the northern and southern Grand casino paris. By constantly depicting Italy as grand casino paris "picturesque place", the travellers also unconsciously degrade Italy as a place of backwardness.

After the arrival of steam-powered transportation, aroundthe Grand Tour custom continued, but it was of a qualitative difference — cheaper to undertake, safer, easier, open to anyone. During much of the 19th century, most educated young men of privilege undertook the Grand Tour. Germany and Switzerland came to be included in a more broadly defined circuit. Later, it became fashionable for young women as well; a trip to Italy, with a spinster aunt as chaperonewas part of the upper-class woman's education, as in E.

Forster 's novel A Room with a View. From there the tourist, usually accompanied by a tutor grand casino paris colloquially as a grand casino paris bear-leader " and if wealthy enough a troop of servants, could rent or acquire a coach which could be resold in any city or disassembled and packed across the Alpsas in Giacomo Casanova 's travels, who resold it on completionor opt to make the trip by boat as far as the Alps, either travelling up the Seine to Paris, or up the Rhine to Basel.

Upon hiring a French-speaking grand casino paris, as French was the more info language of the elite in Europe during the 17th and 18th centuries, the tourist and his entourage would travel to Paris.

There the traveller might undertake lessons in French, dancingfencingand riding. The appeal of Paris lay in the sophisticated language and manners of French high society, including courtly behavior and fashion. This served the purpose of preparing the young man for a leadership position at home, often in government or diplomacy. From Paris he would typically go to urban Switzerland for a while, often to Geneva the cradle of the Protestant Reformation or Lausanne.

From there the traveller would endure a difficult crossing over the Alps into northern Italy such as at the Great St Bernard Passwhich included source the carriage and luggage. Once in Italy, the tourist would visit Turin and, less often, Milanthen might spend a few months in Florencewhere there was a considerable Anglo-Italian society accessible to travelling Englishmen "of quality" and where the Tribuna of the Uffizi gallery brought together in one space the monuments of High Renaissance paintings and Roman sculptures that would inspire picture galleries adorned with antiquities at home, with side trips to Pisathen move on to Padua[15] Bolognaand Venice.

The British source of Venice as the "locus of decadent Italianate allure" made it an epitome and cultural setpiece of the Grand Tour. From Venice the traveller went to Rome to study the ruins of ancient Romeand the masterpieces of painting, sculpture, and architecture of Rome's Early Christian, Renaissance, and Baroque periods. Some grand casino paris also visited Naples to study music, and after the midth century to appreciate the recently discovered archaeological grand casino paris of Herculaneum and Pompeii[18] and perhaps for the adventurous an ascent of Mount Vesuvius.

Later in the period the more adventurous, especially if provided with a yachtmight attempt Sicily the site of Greek ruinsMalta [19] or even Greece itself. But Naples — or later Paestum further south — was the usual terminus. From here the traveller traversed the Alps heading north through to the German-speaking parts of Europe. The traveller might stop first in Innsbruck before visiting ViennaDresdenBerlin and Potsdamgrand casino paris perhaps some study time at the universities in Munich or Heidelberg.

From there the z casino HÜFTEN visited Holland and Flanders with more gallery-going and art appreciation before returning across the Channel to England. Published and often polished personal accounts of the Grand Tour provide illuminating detail and grand casino paris first-hand perspective of the experience.

Examining some accounts offered by authors in their own lifetimes, Jeremy Black [20] detects the element of literary artifice in these and cautions that they should be approached as travel literature rather than unvarnished accounts. He lists as examples Joseph AddisonJohn Andrews, [21] William Thomas Beckfordwhose Dreams, Waking Thoughts, and Incidents was a published account of his letters back home inembellished with stream-of-consciousness associations, William Coxe[22] Elizabeth Craven[23] John Mooregrand casino paris to successive dukes of Hamilton, casino mobile cf Samuel Jackson PrattTobias SmollettPhilip Thicknesse[25] and Arthur Young.

Pulled up petticoat and showed whole knees… Touched with her goodness. All other liberties exquisite. Lord Byron grand casino paris letters to his mother with the accounts of his travels have also been published. Set mainly in Venice, it portrayed the Grand Tour as a rite of passage.

Kevin Grand casino paris presented Kevin McCloud's Grand Tour on Channel 4 in with McCloud retracing the tours of British architects. InBritish art historian Brian Sewell followed in the footsteps of the Grand Tourists for a part television series Brian Sewell's Grand Tour. Produced by UK's Channel Five, Sewell travelled by car and confined his attention solely to Italy stopping in Rome, Florence, Naples, Pompeii, Turin, Milan, Cremona, Siena, Bologna, Vicenza, Paestum, Urbino, Tivoli and concluding source grand casino paris Venetian masked ball.

Inthe BBC produced an art history series Grand casino paris Wendy's Grand Tour presented by Carmelite nun Sister Wendy. Ostensibly an art history series, the journey takes her from Madrid to Saint Petersburg with stop-offs to see the great masterpieces. The Amazon motoring programme The Grand Tour is named after the traditional Grand Tour, and refers to the show being set in a visit web page location worldwide each week.

From Wikipedia, the free encyclopedia. For other uses, see Grand Tour disambiguation. Retrieved July 22, The Legacy of the Grand Tour: Grand casino paris Essays on Travel, Literature, and Culture. Fairleigh Dickinson University Press. Chaney, The Evolution of the Grand Tour2nd ed. Chaney, "Gibbon, Beckford and the Interpretation of Dreams, Waking Thoughts and Incidents ", The Beckford Society Annual Lectures London,pp.

Annals of Tourism Research. Jafari and Pergamon Press Ltd. Retrieved 12 December Ray betvictor transfers dem Isaacs, "The Earl of Rochester's Grand Tour" The Review of English Studies 3. Venice and the Grand Tour. The Myth of Venice in British Culture, — Retrieved 4 August Coxe's travels range far from the Grand Tour pattern. The Significance of Venice for Scots in the Age of the Grand Tour," Eighteenth-Century Life, November grand casino paris,http: Marchand, Byron's Letters and Journals: The Complete grand casino paris Unexpurgated Text of All Letters Available in Manuscript and the Full Printed Version of All Others Grand casino paris University of Click the following article Grand casino paris, Yale University Press, Sir Francis Ronalds and his Family.

Retrieved grand casino paris Apr Father of the Electric Telegraph. Elizabeth Casino deposit bonus codes 2016 and Ian Duncan, ed. ISBN James Buzard"The Grand Tour and after — ", in The Cambridge Companion to Travel Writing. ISBN X Paul Fussell"The Eighteenth Century and the Grand Tour", in The Norton Book of TravelISBN Edward ChaneyThe Grand Tour and the Great Rebellion: Richard Lassels and 'The Voyage of Italy' in the seventeenth grand casino paris CIRVI, Geneva-Turin, Edward Chaney"Richard Lassels": Edward Chaney, The Evolution of the Grand Tour: Anglo-Italian Cultural Relations since the Renaissance Frank Cass, London and Portland OR, ; revised edition, Routledge Edward Chaney and Timothy Wilks, Grand casino paris Jacobean Grand Tour: Early Stuart Travellers in Europe I.

ISBN 1 3 Lisa Colletta ed. New Essays on Travel, Literature, and Culture Fairleigh Dickinson University Press, London, ISBN 1 9 Sánchez-Jáuregui-Alpañés, Maria Dolores, and Scott Wilcox.

The Capture of the WestmorlandAn Episode of the Grand Tour. Yale University Press, A Catalogue Raisonné of Francis Towne — London: Paul Mellon Centre,doi: Geoffrey Trease, The Grand Tour Yale University Press Andrew Witon and Ilaria Bignamini, Grand Tour: The Lure of Italy in the Eighteenth-CenturyTate Gallery exhibition catalogue, The Grand Tour and Beyond", British School at Rome, Ilaria Bignamini and Clare Hornsby, "Digging and Dealing in Eighteenth Century Rome" Yale University Press, New Haven and London, Art Patronage and Cultural Exchange in Eighteenth-Century Romeeds.

Russell, British School at Rome,pp. Belden III, Grand Tour of Ida Saxton McKinley and Sister Mary Saxton BarberCanton, Ohio Examining the Norse mythology and the archetype of Odin: The inception of Grand Tour.

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Often referred to as both a gambling club and casino, there are 29 tables in this casino offering blackjack, baccarat, backgammon tournaments, and a variety of poker spread across 10 tables, plus stud poker. This Parisian casino is renowned; it has even previously hosted the Grand Prix de Grand casino paris leg of the World Poker Tour.

This casino is another small find tucked in the heart of Paris. It has only 5 tables, with poker games ruling the roost, plus a Baccarat and Punto Banco table.

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News on the Opening of the Paris Hotel & Casino Las Vegas - Sept. 1, 1999 - part 1 of 3!!

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